It seems like a good idea, on paper: two secret agents fall for the same girl, then use their resources to spy on her and compete for her affections. In execution, however, This Means War is a mess, saddled with a formulaic script that won’t please fans of action or romantic comedy.
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http://www.oakville.com/articles/this-means-war-movie-review/
Movie stars often bring the baggage of their previous efforts to new projects. We’ve now seen enough of Denzel Washington doing his Denzel Washington thing to be able to guess how any film he’s in will unfold just from the trailer. This isn’t necessarily a problem – if the movie can subvert our expectations, or at least do something new with the actor’s style, it will still be entertaining. Unfortunately, Safe House does neither of these things.
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Sometimes, filmmakers use gimmicks where none are needed. Chronicle plays out like a documentary filmed by the characters, similar to movies such as The Blair Witch Project and Cloverfield. But, while it does find some interesting ways to play with this concept, the gimmick ends up yanking us out of what might otherwise be an entertaining story.
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I often wonder why we’re drawn to stories where groups of people, one-by-one, get picked off by monsters, accidents, or the cruel forces of nature. I’m sure most dramatic theorists would say it’s about catharsis, the feeling of spiritual release brought about by an intense emotional experience. Personally, I think most people just like to say to themselves, “Wow. Glad that wasn’t me.”
The Grey is one such survival story, but in this case the gradual thinning of the ranks is in the service of a grander purpose. This elevates the movie’s dramatic ending, but it also renders much of the middle pointless and boring.
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