There are few movie sub-genres more predictable than the babysitting comedy. The sitter, usually reluctant, arrives at the house, meets the kids, who are all uniquely troublesome, sends the parents off, and then proceeds to take the kids out of the house on some wild, irresponsible, and dangerous errand. This type of movie only succeeds on its details and its jokes. Jonah Hill’s new movie, The Sitter, hasn’t thought out the former and doesn’t have enough of the latter.
Read the rest of my review at Oakville.com: